time ago, reading an interview with David Coverdale, Whitesnake frontman of The Answer spoke in very complimentary after having shared the stage with them on a tour of UK. This left me with the name and seek his music. And the first album I found a gem, full of great songs with hints of Classic Rock. A little later in a store Disk Rising Paris I found the offer and bought it. A success.
Last year saw The Answer twice opening for AC / DC and both times showed that there are flower a day and have all the ballots to be a landmark in the world of rock in next few years, really RESPONSE.
Without disowning his influences and his Irish ancestry made a strong commitment to the sharp guitars, the songs with touches of blues and a personal voice, worthy heir of Robert Plant or Chris Robinson of Black Crowes.
The Joy Eslava had a very good entry, despite the early hour and yet another hoax of the announced opening of doors (delayed no less than an hour). No opening act, the Irish threw a short (1 hour and a half peeled) but intense concert led by Cormac Neeson a prototypical Irish with an undeniable magnetism that got the audience in his pocket from the start. The guitarist Paul Mahon is very good, solid creative riffs and solos while the rhythm section provides a cushion to lean on supercontundente, James Heatley, "the Strongest Man in Ieland" on drums and Mick Waters besides playing the bass voice brings in the chorus.
gave an overview of his two albums, Rising above and Everyday Demons, playing all the most emblematic songs. Beginning with the statement Tonight (Is The Night We Can Make It) to the classic and intense final against Belfast Blues Preachin '. In between, Devil's Eye, Come Follow Me, Never Too Late and Under the sky among their best songs. Certainly highlighted the tremendous Comfort Zone, a beautiful declaration of love and energy.
Amid Cormac as both Paul visited the pit and sweat mingled with the people we had a great time no doubt. A great concert and a band to follow in the future.
see them again this summer at the High Voltage, a further incentive for the best festival of the year.
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